"Azimuth felt like the finalisation of an approach that Caroline and I had been orbiting for some time as a way of putting her voice into my music - I sometimes call it the ‘trance siren.’ You can hear manifestations of it in tracks like Insomnia from Pang and On The Beach from Death Stranding 2, but this was the first time I managed to translate it into my style of dance music. Azimuth’s melody could only have been sung by Caroline, it is designed around her voice, I couldn’t imagine anyone else singing it or giving a performance like that. It also allowed us to play with scale, space and quietness in a way I’ve never done before. For me, Azimuth is a trance ballad, despairing but hopeful, best heard in a in club in a sunken cathedral" - DANNY L HARLE